Collective Unconscious Analysis in the Artworks of Painters with Mental Disorders Based on Jungian Theories
Keywords:
Mental disorders, archetypal symbols, collective unconscious, Jung, psychological analysis, art, paintingAbstract
Objective: This study aimed to examine the relationship between Jungian archetypal symbols and mental disorders in the artworks of painters with psychiatric conditions.
Methods and Materials: This field-based study employed purposive sampling to select 30 to 50 painters diagnosed with disorders such as depression, anxiety, schizophrenia, and personality disorders. Data were collected using standardized psychological questionnaires (BDI, HAM-A, SAPS/SANS), content analysis of paintings via a Jungian archetype checklist, structured clinical interviews, and review of psychiatric records. Pearson correlation and linear regression analyses were used for statistical examination.
Findings: The results revealed a significant positive relationship between the type and severity of mental disorders and the frequency of archetypal symbols in the artworks. Type of disorder emerged as the strongest predictor of psychological interpretability (R² = 0.768), while Jungian symbols and collective unconscious concepts also significantly explained variance. All regression coefficients were statistically significant, with p-values less than 0.01.
Conclusion: The findings support the relevance of Jung’s collective unconscious theory as a conceptual framework for interpreting the symbolic content of artworks created by individuals with mental illness. The pervasive presence of archetypal imagery in their paintings underscores the unconscious mind’s crucial role in both creative expression and psychological communication.
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